Eli Kuslansky Select Work

Kuslansky Electric

Paintings

These paintings, organized as thematic exhibitions, begin as computational image constructs, developed through the fusion of Sumi ink drawings, photographs, and generative source material using intelligent photo-compositing. They are developed for realization as unique archival pigment paintings on Belgian linen, each with an embedded RFID identifier for authentication and provenance.

Gifts from the Desert is a body of work that draws on the ancient religious and symbolic significance of the desert as a place where revelation is intensified by scarcity and endurance gives rise to transformation. The desert is a sparse, hot, dry, and unforgiving place, but it is also a place of spiritual solitude, raw beauty, and profound silence. Its gifts are the open horizon that sharpens perception, the heat that hardens and clarifies, the lack of shelter that demands self-reliance, and the barrenness that makes every sign of life precious. Growing up in a household marked by instability and unpredictability required many of the same survival skills. For me, art was more than refuge, it was a map of a rich inner world of imagination and a means of making art that is expansive, deeply spiritual, aspirational, and moving. That’s a gift to give.

Dancer

2023

51″ x 36″

Archival pigment on Belgium linen

Shark Test

2025

77″ x 44″

Archival pigment on Belgium linen

After Sarah C

2023

66″ x 44″

Archival pigment on Belgium linen

Stranew

2023

44″ x 48″

Archival pigment on Belgium linen”

Revised Roots

2025

44″ x 59″

Archival pigment on Belgium linen

Lady of the Lake

2026

44″ x 62″

Archival pigment on Belgium linen

Revised Fishery

2025

44″ x 35″

Archival pigment on Belgium linen

Van Rijn

2021

44″ x 51″

Archival pigment on Belgium linen

Mirror Mirror

2026

44″ x 58″

Archival pigment on Belgium linen

Bridgehampton

2026

44″ x 58″

Archival pigment on Belgium linen

Fragments of an Unspoken Epic Poem is a series of 24 satirical paintings based on an imagined Eastern epic poem that unfolds as disjunctive cantos and brought to life in a fictional and historical art exhibit. Blending humor with reverence, each painting is structured in three vertical realms: Heaven, Earth, and the Underworld. Rooted in Eastern cosmologies, this triadic form reflects cycles of life, death, and rebirth. Here, the underworld is imagined as not only a place of suffering, but also one of wisdom, transformation, and moral ambiguity. A dark reflection of the celestial sphere, the underworld emerges as a distorted symmetrical mirror of heaven, where light and shadow blur the boundaries between perceived good and evil, challenging conventional notions of morality.

Canto 14

2023

36″ x 48″

Archival pigment on Belgium linen

Canto 18

2023

44″ x 35″

Archival pigment on Belgium linen

Canto 23

2023

44″ x 35″

Archival pigment on Belgium linen

Canto 04

2023

44″ x 35″

Archival pigment on Belgium linen

Canto 250

2023

44″ x 35″

Archival pigment on Belgium linen

Thresholds are never only about crossing space; they’re the architecture of change and the definition of tension and drama. They exist as a temporal seam between one state of being to another. one place or time to another, one existence to another. They can be gates, bridges, shorelines, dawn, dusk, borders, wedding vows, or even the silent pause before speaking. They can be one molecule thin yet so absolute — a step, a breath, a glance, or a change in light can be so immense. These vertical paintings present thresholds as a ritual crossing in the moment before. They read as a state of suspension and heightened possibility suggesting an unstable balance in transformation.

Vortex

2025

44″ x 35″

Archival pigment on Belgium linen

Iron Maidon

2025

44″ x 35″

Archival pigment on Belgium linen

Prancer

2025

44″ x 35″

Archival pigment on Belgium linen

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